INTRODUCTION
My McDonald's Hamburgers Invading Japan and 31
Flavors Invading Japan Series in the 1970's and AIDS
Series in the 1980's reflect
my cultural heritage from Japan. The Ukiyo-e or wood block print
tradition represents my cultural identity. Geisha and samurai images
I use are a way to depict traditional-thinking Japanese people.
After the 1980's financial bubble burst, decades of Japanese
affluence took a nosedive. In the early 1990's, Japanese culture
declined along with the economy. It was as if the country lost
all of her momentum. This became a major impetus for me to shift
my focus from Japan to the United States. I realized that Japanese
were going back to their rigid traditional molds- such as young
girls serving tea at the office- rather than the blossoming I'd
seen where young women were able to work freelance jobs to support
traveling around the world on vacation. READ
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This was also a time when I marked having lived longer in the United States than in my birth country of Japan, I felt that my departure time from Japanese themes in Ukiyo-e style had arrived. I looked for a new challenge. I shifted my focus from Japan to the United States, towards Europe and the world. This new set of sociopolitical and cultural issues demanded a more painterly and rich textural surface than the transparent watercolor I had been using. I felt my media had to be something more expressive in order to bring out the complexity of volatile national and international issues.
- Masami Teraoka with Lynda Hess
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